![]() The standard technique for identifying the offending frequency range is simply to set up a narrow-band EQ boost and sweep it across the frequencies until you find the spot where the nasal 'honk' is most pronounced. The trick is to get the sound as good as you can at source before thinking about processing, though the following guidelines on EQ may be useful if your voice itself is really the source of the problem. However, any halfway decent mic should be able to deliver a good, balanced vocal sound with little or no EQ or other processing. It's hard for me to be objective about my own performance, so any tips on where to start tweaking are welcome.Įditor In Chief Paul White replies: You don't say what kind of mic you're using but some dynamic models with harsh presence peaks can sound somewhat nasal. My singing voice is a bit nasal, and I'd like to know if there is a 'classic' frequency or frequency range to apply some parametric EQ cut to in order to reduce this nastiness. ![]() But I'd still like to tweak it as best as possible to avoid scaring away prospective vocalists. ![]() I've done a mix of a song with me doing the vocals as a kind of placeholder until I can get someone better to sing it.
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